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PROGRAM ELEMENTS
(1) RESEARCH Literature reviews and investigations on ancient paintings of
(2) NETWORKING Develop a network of researchers and professionals in
(3) Explore ancient historic sites with paintings, including the
World Heritage Sites of Sri Lanka, in order to make on-site observations and
investigations that will help in the development of themes for designing of
exhibitions.
(4) THEMES AND STRUCTURE Develop a catalog of themes that would form the basis of
designing and developing a comprehensive program of exhibitions and displays
to present the rich and fascinating anthology of
(5) PHOTOGRAPHIC IMAGES Generate photographic reproductions of paintings that reflect
the true nature of existing paintings and based on the identified themes.
(6) PREPARATION OF EXHIBITS Selected photographs to be enlarged, laminated, and mounted. Compile concise explanatory annotations on exhibits and
related historic sites, including labels to accompany exhibits, and maps
indicative of specific locations of historic sites. Compile brochures, flyers and other written/ published
material to be used at exhibitions/other presentations. Organize appropriate storage for and insurance of exhibits and
related material.
(7) PRESENTATION OF EXHIBITIONS Promote and canvass support to hold exhibitions; Organize venue, panels/mechanisms to display exhibits and
related audio-visual material; Organize transport/freight mechanisms for exhibits to and from
venue; Set-up, monitor and manage exhibitions and upon completion,
dismantle and store.
(8) OTHER PRESENTATIONS a) Develop audio-visual presentations, video and slide shows,
seminars and talks, and thematic websites on selected topics and/or themes
pertaining to the paintings, some focused on specific audiences such as
children. b) Design, develop and present documentary films based on
images of culture of
(9) EXCURSIONS Plan, organize and conduct guided excursions to selected sites
in
(10) PROMOTION AND CONSERVATION Encourage and support studies and research projects on methods
and integrated approaches to, the preservation and renewal of ancient
paintings of ancient sites in
(11) OTHER SERVICES Upon request, provide services on conceptualizing and planning
comprehensive and integrated cultural heritage conservation projects which
combine conservation and edification with environmentally compatible overall
socio-economic development, and where participatory approaches and
sustainability of development are essential considerations.
(12) EXISTING INVENTORY OF EXHIBITS At present our inventory of photographs exceeds 2000. It
includes paintings of sixty historic sites in different parts of the country,
belonging to the different historic periods and reflecting different painting
traditions, styles and approaches. These historic sites were selected at
random and include ancient shrines, monasteries, caves, other historic sites.
They are not representative of the wide range of sites with a diversity of
ancient paintings, scattered across the country.
(13) BOOKS AND REFERENCE MATERIAL Reviews and interpretations of paintings used in our
exhibitions held thus far, are based on authoritative information gathered
from available books, articles, and reference material on the subject of
ancient paintings of
(14) PUBLICATIONS a) The Heritage of Buddhist Art of Sri Lanka (2004) published
by Traveling Exhibition Service: Images of Paintings in Historic Sites of
South Asia, b) Exhibition Catalogues/Guides 2005, 2004, 2003, 2002, 2001. c) Bibliography: Buddhist Paintings of Sri Lanka (2004)
published by Traveling Exhibition Service: Images of Paintings in Historic
Sites of South Asia,
(15) DOCUMENTARY Titled: Arts of the Ancient World: The Heritage of Buddhist
Art of Released in May 2005; Pioneer documentary film made on the subject of Sri Lankan
Buddhist Art. Conceptualized and produced by Daya Hewapathirane The Sinhela version of this documentary was completed in early 2006 for purposes of screening in Sri Lanka in 2006. Plans are under way for the production of our second documentary film in Sri Lanka using local expertise. |