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PRESS RELEASE -Ottawa Buddhist Society
DOCUMENTARY
FILM -
ARTS OF THE ANCIENT WORLD:
HERITAGE OF BUDDHIST ART OF SRI LANKA
THE NATIONAL ARCHIVES OF CANADA,
OTTAWA :
September 11th 2005 3:00pm
This enchanting documentary film
is a Canadian product designed and produced by Dr. Daya Hewapathirane with
technical support by Arjuna Samarakoon, of the federally incorporated professional organization
called the Traveling Exhibition Service: Photo Images of Paintings in
Historic Sites of South Asia. The film provides a
glimpse of the fascinating heritage of Buddhist art of Sri Lanka
focusing on some 300
exquisite paintings that represent a period that exceeds 2200 years, from 3rd
century
BCE to the 21st century. They
are reflective of varied art styles, approaches and traditions of Buddhist
artists of Sri Lanka. This art work is found on
ancient rock surfaces, walls, ceilings, doors, wooden surfaces, pottery and
on textiles of historic sites and shrines. These ancient paintings provide a
deep insight into the gentle and compassionate message of Buddhist art.
Clear narrations by Apsara
Hewapathirane describe the outstanding artistic
products that adorn well known and many less well-known historic sites,
scattered across the country. Among them are the famous historic sites
designated by the UNESCO as World Heritage Sites – Anuradhapura,
Sigiriya, Polonnaruwa, Dambulla, and Mahanuwara (Kandy).
Buddhist cultural heritage is best reflected in these sites where paintings,
sculpture, architecture, and other forms of fine arts were used profusely
from very early times, as a way of expressing Buddhist sentiment.
The film presents succinct information and
interpretations serving as an excellent resource for those familiar with
Buddhist art and for those interested in delving more into this exciting
visual cultural heritage of Sri Lanka.
Most ancient Buddhist works of art are known to generate inner calm, and
evoke serene joy and emotion among people irrespective of their cultural
background.
Buddhist paintings are some of the most gentle and
sublime art of mankind. These are among the oldest surviving art of the
historic period in the Indian subcontinent. Buddhism and the art associated
with it had a transforming effect on the countries which it reached and, till
today, the art heritage of Buddhism flourishes in the Asian continent.
While helping to stimulate a sense of pleasure and
discovery, the film provides an aesthetic challenge resulting in a greater
cultural awareness and discernment. It can be a pleasurable and exciting
experience for those who value multi-culturalism, to appreciate the richness
of imagination, creativity and inspiration evident in the different art
traditions and to enjoy the serene joy and emotions that these paintings help
to generate. After-all, our sense of Canadian identity derives from an
understanding of our shared cultures and the richness of our collective
histories. This film helps to generate increased awareness of the richness of
the Sinhela Buddhist cultural heritage, whilst stimulating intercultural
dialogue celebrating both self-identity and pluralism. being Canadians of Sri
Lankan descent, initiatives of this nature which Canada encourages, inevitably
makes us feel good about being Canadian. Canada has been the meeting place of
all cultures of the world and also a place where these cultures are well
nurtured. Our sense of Canadian identity derives from an understanding of our
shared cultures and the richness of our collective histories.
The photographic images used in this documentary film are
the collection of Daya and Sesath Hewapathirane. . Do not miss
this enchanting documentary about a rich, fascinating and unique cultural
heritage. For further information please visit:
www.kalaava.com
Designed and Produced by: Daya Hewapathirane
of the
Traveling Exhibition Service, Brampton, Canada
Narrations by: Apsara Hewapathirane
Script by: Sesath and Daya Hewapathirane
Sounds - Tibetan Buddhist sounds and W.B. Makuloluwa
Photographs by Daya and sesath Hewapathirane
Photo Animation and related Technical Input by : Arjuna
Samarakoon
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